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Straw Dogs
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Straw Dogs (1971)

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User Rating: 7.7/10 (12,914 votes)
Photos (see all 29 | slideshow)

Overview

Director:
Sam Peckinpah
Writers:
Gordon Williams (novel)
David Zelag Goodman (screenplay) ...
(more)
Release Date:
29 December 1971 (USA) more
Genre:
Crime | Drama | Thriller more
Tagline:
The knock at the door meant the birth of one man and the death of seven others! more
Plot:
A young American and his English wife come to rural England and face increasingly vicious local harassment. full summary | full synopsis
Plot Keywords:
more
Awards:
Nominated for Oscar. Another 1 win more
NewsDesk:
(2 articles)
'Spinal Tap' Tops Cult Movie List (From WENN. 20 May 2003)
'Straw Dogs' Set for a Remake (From WENN. 15 August 2002)
User Comments:
The granddaddy of the modern revenge flick and still potent after 30 years. more

Cast

  (in credits order) (verified as complete)

Dustin Hoffman ... David Sumner
Susan George ... Amy Sumner
Peter Vaughan ... Tom Hedden

T.P. McKenna ... Major John Scott
Del Henney ... Charlie Venner
Jim Norton ... Chris Cawsey
Donald Webster ... Riddaway
Ken Hutchison ... Norman Scutt
Len Jones ... Bobby Hedden
Sally Thomsett ... Janice Hedden
Robert Keegan ... Harry Ware
Peter Arne ... John Niles
Cherina Schaer ... Louise Hood
Colin Welland ... Reverend Barney Hood
rest of cast listed alphabetically:
June Brown ... Mrs. Hedden (uncredited)
Chloe Franks ... Emma Hedden (uncredited)
Michael Mundell ... Bertie Hedden (uncredited)
David Warner ... Henry Niles (uncredited)
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Directed by
Sam Peckinpah 
 
Writing credits
Gordon Williams (novel "The Siege of Trencher's Farm") (as Gordon M. Williams)

David Zelag Goodman (screenplay) and
Sam Peckinpah (screenplay)

Produced by
Daniel Melnick .... producer
James Swann .... associate producer
 
Original Music by
Jerry Fielding 
 
Cinematography by
John Coquillon 
 
Film Editing by
Paul Davies 
Tony Lawson 
Roger Spottiswoode 
 
Casting by
Miriam Brickman 
 
Production Design by
Ray Simm 
 
Art Direction by
Ken Bridgeman 
 
Makeup Department
Harry Frampton .... makeup artist
Bobbie Smith .... hair stylist
Peter Frampton .... makeup assistant (uncredited)
 
Production Management
Derek Kavanagh .... production supervisor
 
Second Unit Director or Assistant Director
Terry Marcel .... assistant director
Nick Farnes .... assistant director (uncredited)
Michael Murray .... third assistant director (uncredited)
 
Art Department
Peter James .... set dresser
Julia Trevelyan Oman .... production design consultant
 
Sound Department
John Bramall .... sound recordist
Garth Craven .... sound editor
Norman Savage .... sound editor
Michael Ellis .... sound dialogue editor (uncredited)
 
Special Effects by
John Richardson .... special effects
 
Stunts
Bill Cornelius .... stunt coordinator
Peter Brayham .... stunts (uncredited)
Joe Dunne .... stunts (uncredited)
Sue Longhurst .... stunt double: Susan George (uncredited)
 
Camera and Electrical Department
Herbert Smith .... camera operator
John Jay .... still photographer (uncredited)
 
Costume and Wardrobe Department
Tiny Nicholls .... wardrobe
 
Editorial Department
Robert L. Wolfe .... editorial consultant (as Robert Wolfe)
 
Music Department
Jerry Fielding .... conductor
Lennie Niehaus .... orchestrator (uncredited)
 
Other crew
Pamela Davies .... continuity
Anthony Goldschmidt .... title designer
Katherine Haber .... dialogue director (as Katy Haber)
George Davis .... production accountant (uncredited)
Brian Doyle .... unit publicist (uncredited)
Susan Shaw .... body double: Susan George (uncredited)
 
Crew verified as complete



Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
118 min | USA:113 min (R-rated version)
Country:
USA | UK
Language:
English
Color:
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono
Certification:
Brazil:18 | Finland:K-18 (cut) (1971) | USA:Unrated (uncut) | Iceland:16 | Finland:K-18 (uncut) (1981) | Canada:13+ (Quebec) | USA:R (cut) | West Germany:18 (original rating) | Germany:16 (re-rating) (2007) | South Korea:18 | Argentina:18 | Australia:MA (DVD re-rating) (2004) | Australia:R (original rating) | France:-16 | Hong Kong:III | Ireland:18 | Italy:VM14 (re-rating) | Italy:VM18 (original rating) | Japan:R-15 | New Zealand:R18 | Norway:18 | Spain:18 | Sweden:15 | UK:(Banned) (video rating) (1999) | UK:18 (video re-rating) (2002) (uncut) | UK:X (original rating) | USA:R
MOVIEmeter: ?
^ 16% since last week why?
Company:
ABC Pictures more

Fun Stuff

Trivia:
In order to express a sick enjoyment in the scene where Dustin Hoffman beats the man on the floor to death, he requested that there would be coconuts there for him to smash. In one shot you can actually see a bit of coconut flying off, which Sam Peckinpah passed off as brain matter. more
Goofs:
Factual errors: When Amy fires the shotgun at the last attacker both the hammers are in the 'uncocked' position. She would need to pull the hammer of the relevant barrel backwards to cock the gun. more
Quotes:
David Sumner: Ok, you've had your fun. I'll give you one more chance, and if you don't clear out now, there'll be real trouble. I mean it. more
Movie Connections:
Referenced in Hot Fuzz (2007) more

FAQ

This FAQ is empty. Add the first question.
42 out of 60 people found the following comment useful:-
The granddaddy of the modern revenge flick and still potent after 30 years., 18 May 2003
8/10
Author: capkronos (capkronos@hotmail.com) from Ohio, USA

Dustin Hoffman is perfectly cast as wealthy American mathematician David Sumner. Soon after arriving to an isolated English village with his energetic young wife Amy (the captivating Susan George), trouble starts. You see, she's so attractive the men in town can't keep from leering at her, he's such a pacifist the locals feel at ease to push him around and the jealousy over David's wealth, power, intelligence and wife turn to a series of harassments, one more extreme than the next until Amy is brutally beaten and raped. David finally snaps and decides he's had enough when their assailants accidentally kill a cop and then hold them at bay in their own home.

Not a horror film in the traditional sense, this (one of the most controversial movies of the 1970s) is nonetheless an effective, violent and relevant piece of shock cinema. Peckinpah's statement is that in this world, like it or not, there is a genuine need for violence and he concentrates most on uncovering how common emotions (jealousy, vengeance, lust) can turn seemingly normal men evil. Containing strong performances from the entire cast, STRAW DOGS has been copied many times since, but seldom this effectively.

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