| Photos (see all 29 | slideshow) |
| Dustin Hoffman | ... | David Sumner | |
| Susan George | ... | Amy Sumner | |
| Peter Vaughan | ... | Tom Hedden | |
| T.P. McKenna | ... | Major John Scott | |
| Del Henney | ... | Charlie Venner | |
| Jim Norton | ... | Chris Cawsey | |
| Donald Webster | ... | Riddaway | |
| Ken Hutchison | ... | Norman Scutt | |
| Len Jones | ... | Bobby Hedden | |
| Sally Thomsett | ... | Janice Hedden | |
| Robert Keegan | ... | Harry Ware | |
| Peter Arne | ... | John Niles | |
| Cherina Schaer | ... | Louise Hood | |
| Colin Welland | ... | Reverend Barney Hood | |
| rest of cast listed alphabetically: | |||
| June Brown | ... | Mrs. Hedden (uncredited) | |
| Chloe Franks | ... | Emma Hedden (uncredited) | |
| Michael Mundell | ... | Bertie Hedden (uncredited) | |
| David Warner | ... | Henry Niles (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| Gordon Williams | (novel "The Siege of Trencher's Farm") (as Gordon M. Williams) | |
| David Zelag Goodman | (screenplay) and | |
| Sam Peckinpah | (screenplay) | |
Produced by | |||
| Daniel Melnick | .... | producer | |
| James Swann | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| John Coquillon | |||
Film Editing by | |||
| Paul Davies | |||
| Tony Lawson | |||
| Roger Spottiswoode | |||
Casting by | |||
| Miriam Brickman | |||
Production Design by | |||
| Ray Simm | |||
Art Direction by | |||
| Ken Bridgeman | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
| Peter Frampton | .... | makeup assistant (uncredited) | |
Production Management | |||
| Derek Kavanagh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Terry Marcel | .... | assistant director | |
| Nick Farnes | .... | assistant director (uncredited) | |
| Michael Murray | .... | third assistant director (uncredited) | |
Art Department | |||
| Peter James | .... | set dresser | |
| Julia Trevelyan Oman | .... | production design consultant | |
Sound Department | |||
| John Bramall | .... | sound recordist | |
| Garth Craven | .... | sound editor | |
| Norman Savage | .... | sound editor | |
| Michael Ellis | .... | sound dialogue editor (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
Stunts | |||
| Bill Cornelius | .... | stunt coordinator | |
| Peter Brayham | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Sue Longhurst | .... | stunt double: Susan George (uncredited) | |
Camera and Electrical Department | |||
| Herbert Smith | .... | camera operator | |
| John Jay | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe | |
Editorial Department | |||
| Robert L. Wolfe | .... | editorial consultant (as Robert Wolfe) | |
Music Department | |||
| Jerry Fielding | .... | conductor | |
| Lennie Niehaus | .... | orchestrator (uncredited) | |
Other crew | |||
| Pamela Davies | .... | continuity | |
| Anthony Goldschmidt | .... | title designer | |
| Katherine Haber | .... | dialogue director (as Katy Haber) | |
| George Davis | .... | production accountant (uncredited) | |
| Brian Doyle | .... | unit publicist (uncredited) | |
| Susan Shaw | .... | body double: Susan George (uncredited) | |
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| Halloween | Fight for Your Life | Tenebre | Furyô anego den: Inoshika Ochô | Tarantola dal ventre nero, La |
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Dustin Hoffman is perfectly cast as wealthy American mathematician David Sumner. Soon after arriving to an isolated English village with his energetic young wife Amy (the captivating Susan George), trouble starts. You see, she's so attractive the men in town can't keep from leering at her, he's such a pacifist the locals feel at ease to push him around and the jealousy over David's wealth, power, intelligence and wife turn to a series of harassments, one more extreme than the next until Amy is brutally beaten and raped. David finally snaps and decides he's had enough when their assailants accidentally kill a cop and then hold them at bay in their own home.
Not a horror film in the traditional sense, this (one of the most controversial movies of the 1970s) is nonetheless an effective, violent and relevant piece of shock cinema. Peckinpah's statement is that in this world, like it or not, there is a genuine need for violence and he concentrates most on uncovering how common emotions (jealousy, vengeance, lust) can turn seemingly normal men evil. Containing strong performances from the entire cast, STRAW DOGS has been copied many times since, but seldom this effectively.